#Cannes 76# 从《奚梦瑶 何猷君》开始关注的导演果然令人惊喜收获了戛纳最美好的观影体验 Lukas Dhont再度展现了他在演员调教和对情感描绘上的绝佳能力我甚至觉得他是新生代导演里最细腻的之一内向敏感的Remi像风筝一根细细的线被外向的Leo紧握手中任何松手的动作都可能令其飘散不见这种无需定义的偷偷藏不住广播剧连接太过动人而故事承载的痛苦也如此美丽如泣如诉如歌如雾 观影过程数度落泪想到了《男女120秒》想到了小时候的经历想到了Laurie Andersen在《letyougo》里说的“feeling sad without being sad”
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it's a beautiful day to save lifes but you are gone... Even derek was not my favorite one in this show, it still break my heart badly.